From Donna Karan, this dress features:Crepe fabricationCrew necklineSleevelessSheath silhouetteLinedBeltedAsymmetrical hemlineZipper back closureApprox. 47#double; in lengthPolyester/spandexDry cleanImported.

Christopher Esber Fall 2025: Fringe Benefits

Columbia Leslie Falls Mid Rise Capri Pants

New Season SANDRO tweed trousers Highlights light pink/ecru cotton blend tweed metallic threading concealed side zip fastening two front patch pockets decorative button detailing pressed crease dart detailing straight leg Composition Outer: Cotton 65%, Acrylic 16%, Polyester 9%, Polyamide 9%, other fibers 1% Lining: Cotton, Polyester The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.81 m wearing size 36 Product IDs FARFETCH ID: 25837824 Brand style ID: SFPPA01660

PINKO intarsia-knit button-up cardigan Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights medium grey/charcoal grey ribbed knit patterned intarsia knit ribbed V-neck front button fastening long sleeves ribbed cuffs and hem thigh-length Composition Acrylic 42%, Wool 34%, Polyamide 14%, Alpaca 10% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Hand Wash The washing method is subject to the commercial washing standard Wearing The model is 1.8 m wearing size S Product IDs FARFETCH ID: 20866462 Brand style ID: 101712A14L

For his third Paris outing, Christopher Esber went for a more sophisticated vibe. He had planned to set the mood at the Palais de Tokyo with floor-to-ceiling transparent coffee-toned panels meant to filter strong sunlight into sepia lighting. But the City of Light’s sparsely sunny weather didn’t really cooperate with the Australian designer. No matter, his fall lineup did the job. Flamenco was the starting point for a wardrobe that would best be described as flapper-meets-surfer. Seeking to transcribe its gestures and attitudes through shapes and styling led him down a rabbit hole that passed through 1920s interiors and ended with Japanese shibari rope bondage. Tying them together were cord-based embellishments and techniques that swung and swirled as models walked. It gave coherence to disparate-on-paper silhouettes that ranged from a gown that was a jersey minidress connected to a flowing floor-grazing skirt in printed tortoiseshell chiffon to a beachy asymmetric crochet dress suitable for the beach and a bustier constructed from a mannish coat in heavy gabardine. You May Also Like Elsewhere, Esber showed how his range has grown with the avenues and ateliers opened up by his ANDAM win last year, with dresses constructed from satin tubing assembled in neat lines or an oh-so-Parisian striped crochet T-shirt paired with wide-leg trousers. Tailoring his lightly constructed silhouettes in weightier, more opulent textiles for the fall gave his otherwise breezy aesthetic a density his previous offerings, all spring collections, did not have. It brought an urban feel but also gave heft to an overall impression of growth.

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